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Pascal Comelade &bull; <i>Le cut-up populaire</i>

Pascal Comelade • Le cut-up populaire

This collection of instrumentals is bewildering in its variety and intent, miniature symphonies with the tinkling plunk of a toy orchestra and a sharp whiff of sulfur from a struck match.

Les Cowboys Fringants &bull; <i>Les nuits de Repentigny</i>

Les Cowboys Fringants • Les nuits de Repentigny

The surprising part is not that this Quebec outfit mixing country music, folk, surf, and a dash of Elvis exists, but that they have been doing this for three decades plus and yours truly is just finding out.

Art d'Ecco &bull; <i>Serene Demon</i>

Art d'Ecco • Serene Demon

Sure, bring your slick neon-tinged indie rock in here. I don't care that you sprinkled keyboards and saxophones all over in addition to the stabbing guitars, distressed vocals, and plucky bass. It just needs a beat we can dance to.

Ale Hop & Titi Bakorta &bull; <i>Mapambazuko</i>

Ale Hop & Titi Bakorta • Mapambazuko

Opening track "Una Cumbia En Kinshasa" easily sets the stage for this transcontinental sound melange, a collaboration between Peruvian-born, Berlin-based Hop and Congolese soukous guitar player Bakorta. It's full of joy and weird production touches