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Pascal Comelade &bull; <i>Le cut-up populaire</i>

Pascal Comelade • Le cut-up populaire

This collection of instrumentals is bewildering in its variety and intent, miniature symphonies with the tinkling plunk of a toy orchestra and a sharp whiff of sulfur from a struck match.

Les Cowboys Fringants &bull; <i>Les nuits de Repentigny</i>

Les Cowboys Fringants • Les nuits de Repentigny

The surprising part is not that this Quebec outfit mixing country music, folk, surf, and a dash of Elvis exists, but that they have been doing this for three decades plus and yours truly is just finding out.

Mclusky &bull; <i>the world is still here and so are we</i>

Mclusky • the world is still here and so are we

A return, and the word to use is "unabated." Their pummeling approach may seem to lack nuance, but it's not about how the punches are landing, it's about the pauses in between that make this measured approach to aggression particularly satisfying.

Pale Blue Eyes &bull; <i>New Place</i>

Pale Blue Eyes • New Place

The guitar and bass strings are vibrating cosmically, the drums eat up the miles, an ethereal chorus swirls about. It's not a new formula, but it's done very well, and if you need to drive for sixty miles without noticing the time go by, here you go.