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This collection of instrumentals is bewildering in its variety and intent, miniature symphonies with the tinkling plunk of a toy orchestra and a sharp whiff of sulfur from a struck match.
Really, this review only needs five words: Francophone spaghetti western rock songs.
Cycles, repetitions, patterns within patterns, beats drifting out of focus and slowly emerging as the same beat, but different. The aural moods on this album are on the ambient side, but reward attention with slow progress and contemplative amnesia.
Like the whoomp from pouring too much firestarter on and throwing the match in, this band is in your face, exciting and a bit scary at the same time, with its snarling guitars, sneering vocals, and the heft of every possible item in the garage.
Camilo Lara teams up with some influences from the southern hemisphere to bring about this collection of decidedly cumbia-inflected tracks. The sounds lean heavily towards the casiotoned but are expertly counterbalanced with orchestral decorations.
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