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A fully synthesized version of Cronin’s previous album, this retake offers the same moody melodies as “Seeker”, this time filled to the brim with the warble and saw of old-tyme synthes.
Covering the Beach Boys’ mythical album Smile from start to finish is not an original idea, but Joesph’s take on the matter is filled to the brim with inventive perspectives on a lost classic.
No topic is too esoteric for John Darnielle to base an entire Mountain Goats album on, not even the persecution of pagans as a wave of Christianity moved through Europe in the middle ages.
Analog synthesizers still sound like the shiny plastic future, even if they’re likely older than the young man fiddling with them in the California sunshine.
Gentle music for a pastoral New Zealand scene, with tappity drums and soft jangles playfully jostling understated vocals.
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