For a quarter century, Dirk Dresselhaus has been putting out sparse, intelligent electronic compositions that even at their calmest crackle with some subtle form of nervous energy.
Soulful beats in the style of old-school acid jazz, mostly instrumental.
If you dig a big fat sawtooth wave riff standing in the front and nearly hitting you in the face with the mic stand, then Brighton's AK/DK has your number. Turn it up and ready yourself to spasm uncontrollably.
Geordie makes good use of a voice that's as smooth as silk and a delivery that promises the utmost reliability, but it's not making a discernible effort to distract from the wonderful glitchiness and complication that hides in the background.