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Simpson made a name for himself with introspective Americana, but this injects a confusing high-energy EDM element, with mixed results. I imagine die-hard ZZ Top fans felt the same way about “Eliminator”.
It’s been a while, but Elvis Perkins’ songwriting chops remain as lush as ever, an unexpected oasis of skewed harmonies and surprising arrangements in a dry sandy desert of plinky singer-songwriters.
Heady mix of folk, electronic and hip hop elements swirling together into something unique and accessible.
Rock latino, full-on-boogie, or as they say in their native Colombia, “bugi.”
Sure, bring your slick neon-tinged indie rock in here. I don't care that you sprinkled keyboards and saxophones all over in addition to the stabbing guitars, distressed vocals, and plucky bass. It just needs a beat we can dance to.
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