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Simpson made a name for himself with introspective Americana, but this injects a confusing high-energy EDM element, with mixed results. I imagine die-hard ZZ Top fans felt the same way about “Eliminator”.
It’s been a while, but Elvis Perkins’ songwriting chops remain as lush as ever, an unexpected oasis of skewed harmonies and surprising arrangements in a dry sandy desert of plinky singer-songwriters.
Heady mix of folk, electronic and hip hop elements swirling together into something unique and accessible.
Rock latino, full-on-boogie, or as they say in their native Colombia, “bugi.”
A return, and the word to use is "unabated." Their pummeling approach may seem to lack nuance, but it's not about how the punches are landing, it's about the pauses in between that make this measured approach to aggression particularly satisfying.
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