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Bênní • The Return
Goner • released 2018-07-20
Cinematic expressions of synthesis collide and swirl for an introspective instrumental journey. Analog reigns supreme to bring an auditory vision of a future from the past.
· details
Cinematic expressions of synthesis collide and swirl for an introspective instrumental journey. Analog reigns supreme to bring an auditory vision of a future from the past.
One time, this robot arm at the plant started going haywire, flailing around, it was going to kill someone. We played it some Com Truise and it calmed right down.
Lush synthetic bitscapes, layered with drones, sweeps, short loops, and the ecstasy of robots make for a propulsive immersion into a world of flow.
For a quarter century, Dirk Dresselhaus has been putting out sparse, intelligent electronic compositions that even at their calmest crackle with some subtle form of nervous energy.
Mosh pit melodies for Daleks. Aggressive hardcore beats, with theremin, snarky bass, and chanting vocals instead of distorted guitar.