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More modern Afrobeat, connected to the source via drummer Tony Allen. A wild collection of Chicago talents united for a smoothly entrancing session of shorter (for Afrobeat) songs.
Great modern take on the Afrobeat genre, with a healthy dash of psychedelic punk.
Always adaptable and never boring, Allen’s highlife drumming is unmistakable, here set against a backdrop of a big jazz ensemble.
This is an ominous title for a posthumous release, but Allen’s stuttering drum work will no doubt stand the test of time, and this melding of his work with more modern non-Afrobeat collaborators is a glimpse of a fascinating future.
A return, and the word to use is "unabated." Their pummeling approach may seem to lack nuance, but it's not about how the punches are landing, it's about the pauses in between that make this measured approach to aggression particularly satisfying.
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