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More modern Afrobeat, connected to the source via drummer Tony Allen. A wild collection of Chicago talents united for a smoothly entrancing session of shorter (for Afrobeat) songs.
Great modern take on the Afrobeat genre, with a healthy dash of psychedelic punk.
Always adaptable and never boring, Allen’s highlife drumming is unmistakable, here set against a backdrop of a big jazz ensemble.
This is an ominous title for a posthumous release, but Allen’s stuttering drum work will no doubt stand the test of time, and this melding of his work with more modern non-Afrobeat collaborators is a glimpse of a fascinating future.
Sure, bring your slick neon-tinged indie rock in here. I don't care that you sprinkled keyboards and saxophones all over in addition to the stabbing guitars, distressed vocals, and plucky bass. It just needs a beat we can dance to.
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