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More modern Afrobeat, connected to the source via drummer Tony Allen. A wild collection of Chicago talents united for a smoothly entrancing session of shorter (for Afrobeat) songs.
Great modern take on the Afrobeat genre, with a healthy dash of psychedelic punk.
Always adaptable and never boring, Allen’s highlife drumming is unmistakable, here set against a backdrop of a big jazz ensemble.
This is an ominous title for a posthumous release, but Allen’s stuttering drum work will no doubt stand the test of time, and this melding of his work with more modern non-Afrobeat collaborators is a glimpse of a fascinating future.
No denying this band exists in a dual space of Gen X ridicule and genuine nostalgia. The new album is filled with the same sunny indie-rock wink-and-grin disposition that rightfully earned them the title, broadcasting into/from the airwaves of 1994.
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