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This is an ominous title for a posthumous release, but Allen’s stuttering drum work will no doubt stand the test of time, and this melding of his work with more modern non-Afrobeat collaborators is a glimpse of a fascinating future.
Always adaptable and never boring, Allen’s highlife drumming is unmistakable, here set against a backdrop of a big jazz ensemble.
Absorbing the dubbiest elements of the classic Manchester grooves of the late '80s, this Welsh musician makes the timespan contained within feel like the blink of an eye, even with an 8+ minute banger in 7/4 in the middle of it all.
Pure unbridled joy bursts forth from the moment these young Beninese women begin doing their thing. Even if liquid song structures and single-voiced group singing aren’t normally your thing, you should give it a taste.
Afrobeat continues to be a family business for the Kutis, and business is booming. Now representing the middle generation in this dynasty, Femi expertly delivers the expected stuttering beats and political dissent we have come to expect from the brand.
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