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You can love something so completely and sincerely that it becomes hard to tell whether you are mocking it. This is what Rosenstock does with third wave ska, with no detail, trope, or subgenre too small to escape notice and inclusion.
Great singalong spirit, hot flaming hooks, and actual things to say.
Hard to believe how affordable advanced lighting for your basement disco warren has become — you can transform the small room into a raging den of chill and/or libido, simply by purchasing a couple hundred dollars worth of lights and playing this.
Like many Australian things, this band is somewhat recognizable yet clearly evolved in a different context. There are many different influences interleaved, from the Caribbean to the Highlands to Eastern Europe and of course, a tinge of that Oz punk.
Nothing can foil the pigeonholing into a genre like a clarinet. The band uses this and other analog sounds to weave minimalism and maximalism, presenting recognizable indie or songwriter tropes before smashing them in their musical supercollider.
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