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This is basically one song, rendered in three different ways by each artist, for a total of six complete blasts of enjoyment. Olivian Jean delivers the mermaid vibes, and April March is full of her usual yeh yeh, so you really can’t go wrong.
Heavily influenced by surf music and pre-psychedelic jangle, this collection of songs show a lot of energy and musicality, with Jean’s nicely hyper-reverberated guitar sharing the spotlight with her hypnotic vocals.
Subtle expressions of singing strings from a guitar and pedal steel, mixed with ambient sounds and other sources to make the soundtrack for the most intense relaxation you’ve had in a while.
A return, and the word to use is "unabated." Their pummeling approach may seem to lack nuance, but it's not about how the punches are landing, it's about the pauses in between that make this measured approach to aggression particularly satisfying.
The guitar and bass strings are vibrating cosmically, the drums eat up the miles, an ethereal chorus swirls about. It's not a new formula, but it's done very well, and if you need to drive for sixty miles without noticing the time go by, here you go.
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