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A sparse yet not simple outing for this member of the Dead Milkmen, including some truly folksy stuff like the title track and “Cool Water”, and surprisingly sophisticated original tracks delivered in the same man-and-his-acoustic guitar aesthetic.
No topic is too esoteric for John Darnielle to base an entire Mountain Goats album on, not even the persecution of pagans as a wave of Christianity moved through Europe in the middle ages.
Like the whoomp from pouring too much firestarter on and throwing the match in, this band is in your face, exciting and a bit scary at the same time, with its snarling guitars, sneering vocals, and the heft of every possible item in the garage.
Camilo Lara teams up with some influences from the southern hemisphere to bring about this collection of decidedly cumbia-inflected tracks. The sounds lean heavily towards the casiotoned but are expertly counterbalanced with orchestral decorations.
The necessities of busking NYC subways gave birth to this trumpet-sax-drums trio, and on this outing they turn their ears towards the honks and thumps of the boom-bap, building up a collection of soulful and engaging loops out of brass and skin.
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