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Billy Martin’s drumming makes me think of oxymorons like “precisely sloppy” and “intensely casual” and “red hot chill out”. This album lives within a zone that’s hazily bounded by funk, jazz, and electronic dance music.
Get your headphones on and listen to this master of mood make his way across the undulating sands, the wet guitar reverb, warbling organs, crystal-clear claves, and snaking melodies sounding like surf music for a desert holiday.
Opening track "Una Cumbia En Kinshasa" easily sets the stage for this transcontinental sound melange, a collaboration between Peruvian-born, Berlin-based Hop and Congolese soukous guitar player Bakorta. It's full of joy and weird production touches
Hard to believe how affordable advanced lighting for your basement disco warren has become — you can transform the small room into a raging den of chill and/or libido, simply by purchasing a couple hundred dollars worth of lights and playing this.
Like many Australian things, this band is somewhat recognizable yet clearly evolved in a different context. There are many different influences interleaved, from the Caribbean to the Highlands to Eastern Europe and of course, a tinge of that Oz punk.
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