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Billy Martin’s drumming makes me think of oxymorons like “precisely sloppy” and “intensely casual” and “red hot chill out”. This album lives within a zone that’s hazily bounded by funk, jazz, and electronic dance music.
Get your headphones on and listen to this master of mood make his way across the undulating sands, the wet guitar reverb, warbling organs, crystal-clear claves, and snaking melodies sounding like surf music for a desert holiday.
Opening track "Una Cumbia En Kinshasa" easily sets the stage for this transcontinental sound melange, a collaboration between Peruvian-born, Berlin-based Hop and Congolese soukous guitar player Bakorta. It's full of joy and weird production touches
There is a spectacular video for one of the songs on here, and there will be more, and by now the band's reputation rests on these videos, but I suggest you give this a listen to hear exactly how OK GO have mastered the art of symphonic power pop.
The first thing to know is that it's pronounced "male." The important thing to know is that the Irish trio make the sort of rickety racket with metronomic drums, aggressive bass, spiky guitar, and disaffected vocals that immediately gets my attention
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