The name of this band may change every few years, but the implacable drone is unmistakable, like a heavy, doomed Ramones with a penchant for occasional celestial excursions.
Australia’s Dappled Cities straddles the line between new wave and indie, with solid hooks and crystal-clear pop production.
Geordie makes good use of a voice that's as smooth as silk and a delivery that promises the utmost reliability, but it's not making a discernible effort to distract from the wonderful glitchiness and complication that hides in the background.
Another band with a well-earned penchant for ALL-CAPS, overbrimming with adolescent incorrigible behavior sung about from the perspective of adults proving it is indeed corrigible. The music is hyper-pop-punk and the irony levels are high.