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A delicate and introspective set of self-recorded songs from an Alabama native that sound like they unspooled as Caroline Sallee sat by a Greyhound window, watching miles of Western US highways roll by. Because that's what it is.
Glaspy’s voice is a broad crooked smile, unique in its shape and well-suited for this particular set of laconic jangle.
Tight set of songs from Australian native Cloher, a key figure in the Melbourne DIY scene that yielded Courtney Barnett. Brimming with character and fearlessness, this has the feeling of a brilliant debut to a stellar career.
Sure, bring your slick neon-tinged indie rock in here. I don't care that you sprinkled keyboards and saxophones all over in addition to the stabbing guitars, distressed vocals, and plucky bass. It just needs a beat we can dance to.
Opening track "Una Cumbia En Kinshasa" easily sets the stage for this transcontinental sound melange, a collaboration between Peruvian-born, Berlin-based Hop and Congolese soukous guitar player Bakorta. It's full of joy and weird production touches
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