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A pitch perfect replica of what made the British Invasion so formidable. Face-melting fuzz, underwater cathedral organs, warbling vocal harmonies, and so much more.
Trumpeter Jamie Younkin mixes standards and her own compositions in this smoky set of songs that feature languid vocals and finessed horn playing.
Cinematic expressions of synthesis collide and swirl for an introspective instrumental journey. Analog reigns supreme to bring an auditory vision of a future from the past.
A beat-heavy collection of international sounds, this band is literally all over the place in a boundary-pushing mix of afrobeat, bhangra, hip-hop, jazz and other genres.
If you think a song about car repairs can’t touch your heart, you’ve never heard Buck Meek. A unique voice and an easy country rock feel.
A sound you could classify as ethereal, alien, or both. Ancient gregorian harmonies collide with Middle Eastern time signatures for something truly unique. Features DCD’s Lisa Gerrard
Aggressive metal-reggae-funk, which is not something I generally like, but this one has some sort of undermined charm to it.
Johnny Marr, who provided his distinctive liquid guitar sound to the Smiths and many others, returns with a solo album that shows not much has changed.