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Over forty years ago, Fleetwood Mac was giving the Eagles a run for their money as Most Ubiquitous Band in America, and a big part of that was Buckingham’s uniquely sophisticated songwriting and unrecognized guitar prowess, both on display here.
Revisiting the heady concept of Goths, this new album accurately captures a specific scene in time, the early and mid '90s alternatives, in lyrical approach if not style. Includes the incredible story-come-true of "Candlebox,"
A distinctive female voice fronting a standard indie combo is not the most exciting formula, but Big Thief has a penchant for weird flourishes and unexpected changes that keeps things interesting
On Halloween I fell asleep to this horror-punk platter playing, and dreamt of whirling in a mosh pit in a toxic swamp, catching elbows and knees from zombie alligators and bouncing off leaking radioactive waste barrels. I woke up covered in bruises.
Like the whoomp from pouring too much firestarter on and throwing the match in, this band is in your face, exciting and a bit scary at the same time, with its snarling guitars, sneering vocals, and the heft of every possible item in the garage.
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