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Down to one original member, who recorded most of this in the Australian bush, this album sounds desperate and hopeful at the same time with its strange mix of acoustic, electronic, and environmental sounds.
Sparse and electronic, sometimes abrasive, this project from Swedish vocalist Karin Elisabeth Dreijer can be difficult and/or rewarding.
Fink meanders through a variety of moody sounds, mostly brooding with flashing patches of sunshine.
In this sterile brushed steel and gleaming plastic environment, underneath the tangles of tubing and wires and chirping electronic devices operating at their own rhythms, below the readouts and blinking lights, beats a mighty analog heart.
Glittery pop vocals fronting a relentless barrage of digital soundbites, shy loops emerging from behind percussive blasts as guitars interrupt with fuzzed yelps or delicate strums… it’s a little bit of everything, and sometimes just enough.
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