Sounding a lot like the heyday of 1990s indie dream pop, Walrus keeps it a little spicy if not very distinctive.
Corridor :: Junior
Francophonic guitar attaque, brimming with chiming arpeggios, complicated stringular interplay, and words beyond comprehension but not understanding.
Greezy Wheels :: Ain’t Quite Like That
A mix of country, western swing, rockabilly, and various other semi-compatible genres, paired with seductive vocals and plenty of musical swagger.
Big Thief :: Two Hands
A distinctive female voice fronting a standard indie combo is not the most exciting formula, but Big Thief has a penchant for weird flourishes and unexpected changes that keeps things interesting
Levitation Room :: Headspace
Verring wildly from soft-funk to outright garage fuzz, this wouldn’t be out of place coming out the AM radio and windows of a 1974 Maverick.
HalfNoise :: Natural Disguise
Forward-looking dance funk, the kind of music that immediately makes you grab the closest person by the wrist and drag them to the dance floor.
Temples :: Hot Motion
Modern electronic soul, richly layered and intricately produced, with decidedly old-fashioned influences from ‘60s girl groups, ‘70s AM radio, ‘80s club hits, and so on.
Sturgill Simpson :: Sound + Fury
Simpson made a name for himself with introspective Americana, but this injects a confusing high-energy EDM element, with mixed results. I imagine die-hard ZZ Top fans felt the same way about “Eliminator”.