Of course, when it’s Sir Paul doing the pandemic recording, it’s old hat to play all the instruments, this being his third such truly solo album. Like the others, it exists in the McCartney continuum of eternal rock and roll.
Tobacco :: Hot Wet + Sassy
Electronic music seems to trend towards extremes of ambience, rhythm, or noise, but there is a place of balance where textures and beats combine aggressively into what can only be called a rock barrage.
IDLES :: Ultra Mono
It’s difficult to explain why this sort of aggressive guitar-forward post-punk sound feels so much more anthemic when it comes from the UK, but the effect is certainly there.
Blitzen Trapper :: Holy Smokes Future Jokes
I don’t know why I want to call this sound “California country”, when it’s not from California nor is it truly country, but its twangy aroma and psychedelic coloring are probably a big reason why.
Oh Sees :: Protean Threat
The name of this band may change every few years, but the implacable drone is unmistakable, like a heavy, doomed Ramones with a penchant for occasional celestial excursions.
Rob Crow :: Everybody’s Got Damage
When Rob Crow gets to anthologize the songs he wants to cover into an album, the results are disparate, insightful, and educational, ranging from King Crimson to the Melvins to the Beach Boys.
Sneaks :: Happy Birthday
There is something familiar yet quite subversive in the way Sneaks assembles their synthetic layers and stream-of-consciousness vocalizations into a collage of desperate modern living.
Yo La Tengo :: Sleepless Night
A new collection of covers from Yo La Tengo is not unusual, but their frequency does allow for some measurement of the band’s current mood, and the songs are always trailheads for musical exploration.